The Meso-what? project is the working title of my PhD research being undertaken at the University of York.
The project involves a number of overlapping areas of investigation.
The current version of the Research design (1.0) summarises the project more formally.
The key elements of the proposal are summarised below.
To identify and implement best practice for improving public understanding of the Mesolithic period using Star Carr as a case study.
The historical, academic, institutional, cultural and social backgrounds for the project are all important. They are also summarised in the formal Research design.
There are several key ‘interfaces’ or channels through which archaeological information gets from specialists to the public. These include museums, traditional media (television, radio, newspapers), schools, popular books - (fiction and non-fiction), artistic work (performances, fine arts), direct outreach (public lectures, site tours, experimental archaeology), archaeological/historical societies and specifically web-based dissemination.
It will be crucial to investigate the relative strengths and weaknesses of these interfaces in terms of audience size, penetration, engagement and overall effectiveness as tools for presenting the Mesolithic.
Comparisons of the use of these interfaces in other regions will help build understanding of appropriate ways to present the Mesolithic. Particularly good examples of presentation sites (museums, archaeoparks, excavation-based centres) will be selected for visits and broader datasets (visitor numbers, books sales, school curricula) will be analysed. The reasons for the uneven representation of Mesolithic archaeology across Europe will be placed in a historical context.
It is important to gain a detailed understanding of how various aspects of the past can be presented by spending time at YAT’s visitor attractions. By comparing these to other interfaces in Britain and Europe one can build an understanding of how these might translate to the Mesolithic period. Different types of activity will be planned and implemented for Star Carr including one-off events (public lectures, site tours, experimental archaeology, performances), engaging traditional media, using web-based dissemination.
Through the study of other periods (particularly the Vikings and Romans through the YAT attractions), and the Mesolithic in other countries it should be possible to assess if any issues have particularly high-impact with the broadest audiences: e.g. are issues such as climate change, which is at the forefront of current media, of interest when considered in the past. Further, are particular aspects more suitable for different age groups, non-traditional audiences (those from lower socio-economic backgrounds or recent immigrants). Lastly, there is an issue of whether particular ‘interpretive communities’ have particular ways of engaging with the Mesolithic which can be utilised (or must be mitigated for): for example flint-collectors, New Age spiritualists or extreme nationalists.
By collating data from indirect presentations (book sales, museum visitors, television audiences) and detailed monitoring of direct-engagement activities (visitor numbers, questionnaires, interviews) it should be possible to assess the impact of the different interfaces as Mesolithic presentation tools. Surveys will continue to be undertaken in Scarborough in order to identify whether the site acquires a higher profile over the period of the PhD.
The PhD will be constructed of several phases:
The writing up should be continuous as data is collated and the thesis will consist of chapters covering evaluation of current practices in Britain and in Europe, the diverse and innovative ways of disseminating information about the past, the implementation of outreach for Star Carr, and the impact of the approach with evaluations for further long term initiatives such as visitor centres.
The project obviously straddles a number of relevant literatures: in addition to a broad understanding of Mesolithic studies, museum studies, the study of Media forms, heritage studies will all have to be investigated as necessary.
Much of the focus of the PhD will be to test different approaches but it is anticipated that these will lead to further developments beyond the PhD which may include initiatives such as a visitor centre and/or a permanent museum display.